KENTHEMAN IN THE TRAP | 85 SOUTH SHOW PODCAST | 01.06.26
YouTube · I494baF8II4
Quick Read
Summary
Takeaways
- ❖Rapper KenTheMan wrote her first hit song while DoorDashing, quitting all other jobs immediately after its success.
- ❖She was fired from a waitressing job for standing up against unfair section assignments for older staff.
- ❖KenTheMan declined a record deal that included an offer for plastic surgery in the Dominican Republic, choosing to remain independent.
- ❖The 85 South hosts express a strong preference for natural body types, including 'saggy' breasts, over surgically enhanced ones.
- ❖They critique the current state of brunch culture, citing loud music, twerking, and alcohol-infused food as reasons for its decline.
- ❖The hosts engage in explicit discussions about sexual positions, 'eating coochie' techniques, and a comedic 'coochie apocalypse' dream.
Insights
1Leveraging Gig Work for Artistic Independence
KenTheMan utilized DoorDash as a flexible income source, allowing her to write and develop music between deliveries. This strategy enabled her to focus on her craft without the rigid schedule of traditional employment, leading to her first breakthrough song.
KenTheMan states, 'I was door dashing, door dashing. Then I realized I was like, 'Bitch, you door dashing so you can rap in between cuz like I could play instrumentals and all that stuff.' So the first song I actually wrote after that hit me, it literally was like that [__] made me I never worked since then.'
2Prioritizing Natural Body Image Over Industry Pressure
KenTheMan explicitly refused a record deal that included an offer for plastic surgery, asserting her comfort and pride in her natural body. This decision highlights a stance against industry pressures to conform to specific aesthetic standards.
KenTheMan recounts, 'That [__] told me, I got a plug in Dominican Republic. We going to get your body done.' She responded, 'DAMN, I GOT TO GET MY body done.' and later affirmed, 'I ain't going to do that. That's why I do it. I could have got a million surgeries. No.'
3Critique of Modern Brunch Culture
The hosts express disdain for how brunch culture has evolved, specifically among 'black people,' citing excessive loud music, twerking, and the trend of infusing alcohol into food as deterrents. They prefer a simpler, home-cooked meal.
Karlous Miller states, 'Black people will [__] [__] up, bro.' and 'I'm getting to the point where I'm I'm already like off the loud music everywhere. Especially when I'm eating, I don't be assing and the twerking and all that. Like I'm just trying to eat.' DC Young Fly adds, 'I'M GOING TO DRINK ANYWAY, [__] I DON'T NEED DON JULIO PANCAKES.'
4The Appeal of 'Flaws and All' in Relationships
The hosts argue that natural 'flaws' and unique physical characteristics are what make individuals memorable and desirable, contrasting this with the perceived uniformity of surgically enhanced bodies. They suggest these imperfections foster deeper connection and attraction.
One host states, 'That's the beautiful part about it, bro. It be worried about some [__] you ain't never even seen before.' and 'Yeah. [__] love that natural [__] Them flaws and all, bro. Like, yeah, sir. That be the really the [__] that make you miss them. Cuz you know you ain't going to find it nowhere else.'
Lessons
- For aspiring artists, consider flexible gig work (like DoorDash) to maintain income while dedicating time to creative pursuits and building an independent career.
- Prioritize artistic integrity and personal values over industry pressures, even if it means declining lucrative opportunities that compromise your authenticity.
- If seeking genuine connection, appreciate and highlight unique personal characteristics and 'flaws' rather than striving for perceived perfection, as these can be sources of deep attraction.
Notable Moments
KenTheMan recounts being fired from a waitressing job for advocating for better sections for older female coworkers, only to be abandoned by those she defended.
Illustrates the challenges of workplace advocacy and the sometimes-harsh realities of loyalty, while also foreshadowing her independent spirit.
A host describes a dream about a 'coochie apocalypse' where men were desperately trying to preserve and find 'coochie' amidst its global disappearance.
A highly exaggerated and comedic moment that underscores the hosts' explicit humor and their perspective on the importance of female anatomy.
KenTheMan shares a traumatic experience of hitting a dog while DoorDashing late at night, leading to a silent, emotional ride with a passenger.
A rare moment of vulnerability and genuine distress amidst the comedic banter, highlighting the unexpected challenges of gig work.
Quotes
"I don't feel like I'm just like like a feminine rapper. I feel like I'm a little bit aggressive, masculine dominant. [__] can feel it."
"Bitch, you door dashing so you can rap in between cuz like I could play instrumentals and all that stuff. So the first song I actually wrote after that hit me, it literally was like that [__] made me I never worked since then."
"I'm getting to the point where I'm I'm already like off the loud music everywhere. Especially when I'm eating, I don't be assing and the twerking and all that. Like I'm just trying to eat."
"I'M GOING TO DRINK ANYWAY, [__] I DON'T NEED DON JULIO PANCAKES."
"Yeah. [__] love that natural [__] Them flaws and all, bro. Like, yeah, sir. That be the really the [__] that make you miss them. Cuz you know you ain't going to find it nowhere else."
Q&A
Recent Questions
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