Tamar Braxton on Fat Joe's APOLOGY for Toni-Birdman rumor, Cash Money Verzuz, reality TV | Jadakiss
Quick Read
Summary
Takeaways
- ❖Tamar Braxton identifies as the 'black sheep' and youngest of her sisters, attributing her hustle to Toni Braxton.
- ❖Fat Joe publicly apologizes for spreading a false rumor about Toni Braxton and Birdman's divorce.
- ❖Tamar Braxton reveals she introduced her sister Toni Braxton to Birdman, whom she considers a brother-in-law.
- ❖Braxton contrasts her reality TV-driven fame with Toni's music-driven stardom, noting reality TV makes her more relatable to 'the hood'.
- ❖She expresses a preference for 'hood dudes' who 'show her off' and can hold their own, valuing emotional support and protection over just financial provision.
- ❖Braxton takes accountability for past infidelity, explaining it stemmed from emotional incompleteness in a previous relationship, which inspired her new album 'Heartbreak Retrograde'.
- ❖She advocates for artists owning their masters, revealing she has been independently releasing music for 15 years, contrasting with older artists who lost control to major labels.
Insights
1Fat Joe's Public Apology for Toni Braxton/Birdman Rumor
Fat Joe publicly apologized to Tamar and Toni Braxton for spreading a false rumor about Toni and Birdman's divorce on his show. He heard it on the radio and repeated it, but later realized it was inaccurate, especially after seeing Birdman's supportive presence during a Verzuz battle.
Fat Joe states, 'I gotta apologize because when we started the show... they said her and Birdman caught a divorce... I actually said it on here... I want to apologize to you and your sister because that wasn't accurate.'
2Tamar Braxton Introduced Toni Braxton to Birdman
Tamar Braxton revealed that she was the one who introduced her sister Toni Braxton to Birdman. She considers Birdman her 'brother Brian' and brother-in-law, highlighting a deep personal connection beyond public perception.
Tamar states, 'I introduced Tony and Brian.'
3Reality TV vs. Music Stardom: Relatability and Public Image
Tamar Braxton contrasts her career path, which gained stardom through reality television, with her sister Toni's, who achieved fame through music. Tamar believes reality TV made her more relatable to 'the hood,' maintaining a connection to her roots despite her success, unlike the 'upper echelon' image often associated with music-driven artists.
Tamar explains, 'Tony... got her stardom from music and she was a part of the realm of being upper echelon and gowns and class. And for me I got my through reality and reality television. So it was relatable to people.'
4The 'Hood Dude' Preference and Relationship Dynamics
Tamar Braxton expresses a preference for 'hood dudes' who 'want to show me off' and possess 'razzledazzle,' valuing emotional confidence and protection over mere financial status. She emphasizes that while she can 'upgrade' a man, she wants him to feel respected and confident in his own right, not emasculated by her success.
Tamar states, 'I like a man that want to show me off. And hood dudes like that.' and 'I know how to upgrade him... I want him to walk in a room and feel like he know he the one... because he's him.'
5Accountability for Infidelity and New Music
Tamar Braxton candidly discusses cheating in a past relationship, taking full accountability for her actions. She explains it stemmed from emotional incompleteness in her 'old situation' and inspired her new album, 'Heartbreak Retrograde,' which explores the female perspective of infidelity and the process of healing.
Tamar confesses, 'I had a relationship... And I cheated on that person. And so this album is about the female version of taking accountability for infidelity.'
6The Power of Artist Ownership in Music
Tamar Braxton highlights the importance of artists owning their masters and controlling their careers, revealing she has been independently releasing music for 15 years. She contrasts this with older R&B legends who lost control to major labels, advocating for artists to avoid the 'old school at noon' stigma imposed by the industry.
Tamar states, 'I've been putting out my own music for 15 years.' and Fat Joe adds, 'The problem I have... is they let the the major label in Mafia... what they didn't do, the guys and girls before us was take ownership.'
Bottom Line
The perception of 'old school' artists is often a construct of major labels to devalue their catalogs and influence, rather than a reflection of their actual artistic relevance.
This suggests that artists, regardless of age, should prioritize ownership and independent distribution to maintain control over their legacy and revenue streams, challenging the industry narrative that diminishes veteran talent.
Develop platforms or services specifically designed to help established artists reclaim and monetize their back catalogs independently, offering transparent revenue sharing and direct fan engagement tools.
For highly successful women, the challenge in relationships shifts from finding a financially stable partner to finding one who provides emotional security, protection, and respect without feeling emasculated by her 'bag.'
This changes the criteria for a desirable partner for affluent women, emphasizing non-monetary contributions and a strong sense of self-worth in a man. It also highlights a potential void in the dating market for men who can fulfill these emotional roles effectively.
Create coaching or community platforms for men to develop emotional intelligence, confidence, and supportive partnership skills, specifically tailored to relationships with high-achieving women, moving beyond traditional provider roles.
Opportunities
Independent Artist Empowerment Platform
A platform that provides comprehensive tools and resources for artists to independently manage their music careers, including distribution, marketing, royalty collection, and intellectual property ownership. This would specifically target artists looking to avoid traditional major label deals and retain control of their masters, drawing inspiration from Tamar Braxton's 15 years of independent releases.
Key Concepts
The 'Black Sheep' as a Motivator
Tamar Braxton frames her identity as the 'black sheep' of her famous family as a source of motivation and hustle, enabling her to carve her own path distinct from her siblings, particularly in the entertainment industry.
The 'Bag' Dynamic in Relationships
The discussion explores how financial success ('the bag') impacts relationship dynamics, with Tamar Braxton arguing that while she can 'upgrade' a man, true respect and emotional support are paramount, and excessive financial disparity can lead to emasculation or a lack of genuine connection.
The Facade of Success
Fat Joe describes Miami as the 'home of the facade,' where outward displays of wealth often mask financial instability. This highlights the importance of discerning genuine success from superficial appearances, particularly in the entertainment and social spheres.
Lessons
- Prioritize emotional completeness and self-healing before entering new relationships to avoid repeating past patterns of infidelity or insecurity.
- For artists, actively pursue and maintain ownership of your intellectual property (masters) to ensure long-term control and financial benefit from your work.
- In relationships, cultivate mutual respect and emotional support, recognizing that financial contributions are only one aspect of a strong partnership, and avoid emasculating or being emasculated by a partner's success.
Notable Moments
Fat Joe's apology to Tamar and Toni Braxton for spreading a false rumor about Toni's divorce from Birdman.
This highlights the impact of celebrity gossip and the responsibility of media personalities to correct misinformation, even when it originates from other sources.
Tamar Braxton's candid admission and accountability for past infidelity, which inspired her new album.
This showcases a rare instance of a public figure taking direct responsibility for personal mistakes and channeling that experience into their art, offering a relatable narrative for listeners.
The hosts and guest discuss the concept of 'popop sweat' when older artists continue to perform with overly sexualized or 'thrusting' energy.
This humorous yet insightful moment touches on the challenges artists face in maintaining relevance and stage presence as they age, and the potential for it to become 'corny' or uncomfortable for audiences.
Quotes
"I like a man that want to show me off. And hood dudes like that."
"One of the qualities about me when I am with the man is that I know how to upgrade him."
"It takes a strong man to make a woman wake up every day and walk out the house knowing she could do what the [expletive] she want that you got her back that you protected and you this. There ain't no problem. It's God than you."
"The problem I have... is they let the the major label in Mafia, right? So they [expletive] with you, spend some money and get everything out of you and then they tell everybody old school at noon."
Q&A
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