SHANGHAI NOON (2000) Movie Reaction! | First Time Watch! | Jackie Chan | Owen Wilson | Lucy Liu
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Quick Read
Summary
Takeaways
- ❖Jackie Chan's fight scenes are praised for creative environmental utilization and 'failing up' into success.
- ❖The film effectively uses the 'fish out of water' and 'buddy cop' tropes, a staple of Jackie Chan's Western-marketed movies.
- ❖Walton Goggins is lauded for his consistent, grounded character acting in various 'cowboy' roles.
- ❖The character of Owen Wilson's Indigenous wife is celebrated as an emotionally mature, 'badass' figure who saves the male leads.
- ❖The hosts critique the common film trope of non-English speaking characters conversing in English for audience convenience.
- ❖Modern music choices in a Western setting, similar to 'A Knight's Tale,' are seen as effectively setting a fun, non-serious tone.
Insights
1Jackie Chan's Signature Stunt Choreography
The hosts consistently highlight Jackie Chan's unique fighting style, characterized by his creative use of the environment and a 'fail up' approach where he often stumbles into advantageous positions. They note that longer, uninterrupted takes in fight scenes indicate the involvement of his trusted stunt team, showcasing his professionalism and trust in his crew.
“God, I love Jackie Chan fight scenes so much. So much. They're so good. He finds such creative ways to like utilize his environment and also like fail up every fight.” [], “if it's longer cuts and longer takes, it's his team because he trusts them more.” []
2Critique of English Dialogue for Non-Native Speakers
A recurring 'gripe' for the hosts is the Western filmmaking convention of having non-English speaking characters converse in English, even when interacting among themselves. They acknowledge the historical context of audience resistance to subtitles but argue it detracts from authenticity, especially in intimate character moments.
“My one gripe with this. All right, here we go. That got me there. I've talked about this before with movies from this era and a little earlier is the sort of western film making stickick of taking two characters that are clearly non-English speakers and putting them in a scenario where no one else around them needs to speak English and still having them speak English for the purposes of the audience understanding.” []
3Effective Use of Anachronistic Modern Music
The film's incorporation of modern music in a historical Western setting is praised for setting a fun, non-serious tone. This stylistic choice is compared to 'A Knight's Tale,' where contemporary songs are used to pull the audience out of the historical context and emphasize the comedic and entertaining aspects of the narrative.
“I also love like the the sound design cuz we had music when we needed it, which is very modern some of the songs and then which again sometimes that can be like counterproductive with the film, but I thought it really added a nice touch to it and it was really funny when it was utilized. Took a page out of like a night's tale.” []
4Strong Female Characters Subverting Tropes
The hosts highlight two female characters: Owen Wilson's Indigenous wife and Princess Pei Pei. The Indigenous wife is celebrated for her emotional maturity and 'badass' nature, consistently saving the male leads and making independent choices. Princess Pei Pei's journey from royalty to commoner provides her with a worldly view, leading her to choose to stay in America to help her people, rather than returning to the Forbidden City.
“She was the most emotionally mature character. She was the best one. 100%.” [], “She was a freaking badass. She saved the men. She wasn't a damsel in distress. She was saving their ass.” [], “Princess Pepe when she was having to work as a commoner what she she didn't want to go back to China. One she didn't like the original traditions but two she got to see her people like this is what they have to do.” []
Key Concepts
Fish Out of Water Trope
This model describes a character placed in an unfamiliar environment, leading to comedic or dramatic situations. The hosts note this is a recurring element in Jackie Chan's Western-marketed films, where his character navigates a new culture (the American West) with his unique skills and perspective.
Buddy Cop Formula
This narrative structure pairs two contrasting characters, often with different backgrounds or personalities, who must work together to solve a problem. The hosts explicitly identify 'Shanghai Noon' as following this formula, similar to 'Rush Hour,' with Jackie Chan and Owen Wilson forming an unlikely duo.
Notable Moments
The hosts' reaction to Jackie Chan's improvised escape from jail using a wet shirt and leverage, humorously dubbed 'piss shirt bend bar.'
This moment encapsulates the film's clever, practical effects and Jackie Chan's ingenuity, which the hosts find both impressive and hilarious, highlighting the unique blend of action and comedy.
Discussion of Jackie Chan bloopers and their unique comedic value.
The hosts emphasize how Jackie Chan's slapstick, 'stumbling' style of comedy makes his bloopers even funnier, revealing his professional yet fun-loving approach to filmmaking, a signature element of his work.
Quotes
"“God, I love Jackie Chan fight scenes so much. So much. They're so good. He finds such creative ways to like utilize his environment and also like fail up every fight.”"
"“She was the most emotionally mature character. She was the best one. 100%.”"
"“This is still a nice standalone western. It's still definitely I love a like a spaghetti western. It's one of my favorite genres and I'm still sad that we don't have more of them. Like it's time for a resurgence.”"
Q&A
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