Joe Rogan Experience #2508 - Joe Eszterhas
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Quick Read
Summary
Takeaways
- ❖Joe Eszterhas's screenwriting career, including 'Basic Instinct,' was profoundly shaped by his early life as a Hungarian refugee and a police beat reporter in turbulent American cities.
- ❖He attributes his creative process to a 'twisted little man' within him, channeling personal experiences into dark, sexually charged narratives.
- ❖A life-threatening battle with stage four throat cancer prompted his conversion to Christianity, leading him to write 'flesh and blood' religious scripts that Hollywood found too gritty and the church too secular.
- ❖Hunter S. Thompson played a direct role in launching Eszterhas's career, recognizing his talent for writing about Hell's Angels and later securing him an agent and publisher.
- ❖Eszterhas's unique perspective on Jesus portrays him as a 'true man and true God,' a Jewish zealot and freedom fighter, rejecting the 'Fred Rogers figure' often depicted.
- ❖He recounts a memorable encounter with Jimi Hendrix, taking the rock legend to a Hungarian restaurant in Cleveland, highlighting the cultural clash and Hendrix's graciousness.
- ❖Eszterhas expresses concern over the 'weaponization of empathy' in immigration policies and the dangerous precedent of militarized police on city streets, drawing on his own immigrant background and civil rights activism.
Insights
1Genesis of 'Basic Instinct' from Personal Experience
Eszterhas reveals that the core characters of 'Basic Instinct'—the sophisticated, manipulative woman and the troubled cop—were inspired by two distinct figures from his past: a college affair with an older faculty member's wife and a police buddy who seemed to enjoy shootings. These disparate experiences coalesced into the film's central dynamic, demonstrating how deeply personal encounters can fuel iconic narratives.
Eszterhas had an affair at 18 with a 39-year-old faculty member's wife, who was sophisticated and smart. Later, as a police reporter, he befriended a cop involved in multiple shootings, questioning if he enjoyed the violence. These two archetypes merged to form the genesis of 'Basic Instinct.'
2Hunter S. Thompson's Pivotal Mentorship
Hunter S. Thompson was instrumental in launching Eszterhas's career. After reading Eszterhas's report on a Hell's Angels shootout, Thompson reached out, recognizing a kindred spirit. He later championed Eszterhas at Rolling Stone and helped him secure a top literary agent and publisher for his book, 'Charlie Simpson's Apocalypse,' which became a National Book Award finalist and opened the door to screenwriting.
Thompson sent Eszterhas a note after reading his Hell's Angels story, saying, 'Big [expletive], now there are two of us who know how to write about Hell's Angels.' Thompson later pushed Rolling Stone to hire Eszterhas and helped him get an agent and publisher for his book, which led to his screenwriting career.
3Conversion to Christianity Triggered by Cancer
Eszterhas, a lapsed Catholic, experienced a profound conversion to Christianity after being diagnosed with stage four throat cancer. Facing his mortality, he found solace and strength in prayer and faith, believing it contributed to his miraculous recovery. This spiritual awakening led him to study the historical Jesus and write Christian-themed scripts, though these were often rejected for being too 'gritty' for religious financiers and too 'religious' for secular Hollywood.
After a successful but unfulfilling period in Hollywood, Eszterhas was diagnosed with stage four throat cancer. During his terrifying recovery, he 'ran across a Jesus' and began praying, later attributing his survival to his prayer life. He then voraciously read about Jesus and Christian history.
4Jimi Hendrix Encounter in Cleveland
As a young reporter, Eszterhas interviewed Jimi Hendrix in Cleveland. After smoking dope and getting the munchies, Eszterhas took Hendrix and his bandmates to a Hungarian restaurant in the heart of Cleveland's Hungarian community. The surreal scene of the rock stars among the traditional Hungarian patrons, and Hendrix's enjoyment of chicken paprikash and graciousness with autograph seekers, highlights a unique cultural intersection.
Eszterhas interviewed Hendrix, smoked dope with him, and then took him, Mitch Mitchell, and Noel Redding to the Bolaton, a Hungarian restaurant on Buckeye Road. Hendrix ordered three chicken paprikash dishes and signed autographs for old ladies.
5Critique of Hollywood's and Church's Portrayal of Jesus
Eszterhas argues that both Hollywood and traditional religious institutions have 'cosmeticized' Jesus, turning him into a 'Fred Rogers figure' rather than the 'true man and true God' depicted in historical accounts. He champions films like 'The Passion of the Christ' and 'The Last Temptation of Christ' for their realistic, 'flesh and blood' portrayals, which he believes are more impactful and authentic.
Eszterhas states, 'What we've done to Jesus over the years is make him a kind of Fred Rogers figure. He wasn't that.' He praises 'The Passion of the Christ' for being 'real' and 'The Last Temptation of Christ' for showing Jesus's 'human side' and historical reality.
Key Concepts
The Twisted Little Man
Eszterhas personifies his creative impulse for dark, sexually charged content as a 'twisted little man' within him. This externalization allows him to separate his personal identity from the often controversial nature of his work, framing himself as merely providing 'space' for this entity to create.
Flesh and Blood Storytelling
Eszterhas advocates for a 'flesh and blood' approach to storytelling, particularly in religious narratives, rejecting 'incense and piety.' This model emphasizes gritty realism, human struggle, and authentic portrayal over idealized or sanitized versions, believing it resonates more deeply and can attract a wider audience.
Lessons
- Cultivate a 'shit detector' to discern genuine interactions and narratives from inauthentic ones, applying it to both personal relationships and societal information.
- Embrace your unique life experiences, no matter how dark or unconventional, as fertile ground for creative expression and authentic storytelling.
- Challenge conventional narratives, especially in areas like religion or politics, by seeking out historical evidence and diverse perspectives to form a more nuanced understanding.
Notable Moments
Witnessing a murder at age 12 from his living room window overlooking a bar in a poor Cleveland neighborhood.
This early, traumatic exposure to violence deeply influenced his worldview and the dark themes in his later screenplays, demonstrating the profound impact of childhood experiences on creative output.
Pissing his pants while crouched behind a car during the Glennville urban uprising, witnessing a bleeding Hungarian cop he knew and hearing gunshots from a black nationalist leader he also knew.
This visceral experience highlights the intense, personal nature of his police beat reporting, showcasing the emotional and psychological toll of witnessing societal conflict and violence firsthand, which later informed his writing.
Interviewing Otis Redding the night before his fatal plane crash, being 'probably the last man who really spoke to him at length.'
This tragic encounter underscores Eszterhas's proximity to cultural history and the fleeting nature of life, adding a poignant layer to his journalistic and personal narrative.
Hunter S. Thompson shooting out the tires of the Rolling Stones' car to prevent them from leaving his home.
This anecdote vividly illustrates Thompson's eccentric, larger-than-life personality and his struggles with addiction, providing a stark contrast to his 'sensitive' side and offering a cautionary tale about the destructive aspects of his lifestyle.
Quotes
"There's a twisted little man inside me who lives in some spot that I'm not sure where it exactly is, but he's 29, born 29, he will die 29, and with anything that has a relatively strong sexual content, he wrote the [expletive] thing. I'm just an old guy giving him the space."
"I don't write [expletive] incense. I write flesh and blood."
"You know what you want? You're a [expletive] white [expletive]. That's what you are."
"We've done to Jesus over the years is make him a kind of Fred Rogers figure. You know, he wasn't that."
"Politicians are like diapers, and they should be changed often and for the same reason."
"The orgasm is God's own payback for all the suffering that he overlooks in the world."
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