Danny Jones Podcast
Danny Jones Podcast
February 6, 2026

“I Printed $10 Million Cash” - How to Spend Fake Money | Art Williams Jr

Quick Read

Art Williams Jr., a former notorious counterfeiter, recounts his journey from a poverty-stricken Chicago upbringing to mastering the art of printing fake money and ultimately transforming into a successful artist and entrepreneur.
Williams was the first to crack the 1996 $100 bill's security features, meticulously combining old and new printing techniques.
His counterfeiting process involved custom ink mixing, unique paper layering, and even supergluing fingertips to avoid detection.
After years of crime, Williams transitioned to a successful art career, leveraging his unique story and a chance encounter with Arnold Schwarzenegger.

Summary

Art Williams Jr. shares his extraordinary life story, beginning with a challenging childhood in the Southside Chicago projects, marked by his mother's mental illness and pervasive gang violence. He details his early introduction to counterfeiting at age 15, learning the craft from an 'old printer' he called Da Vinci. Williams became the first to successfully counterfeit the 1996 $100 bill, cracking its advanced security features by combining old offset printing technology with new inkjet methods. He explains his meticulous process, from mixing custom inks and finding unique paper to embedding watermarks and security strips, even using superglue to obscure his fingerprints. His narrative covers the dangers of his criminal life, including being shot and robbed, and his eventual decision to leave counterfeiting. Williams describes his challenging transition to legitimate work, his complex relationship with his estranged father, and his son's brief foray into counterfeiting. The story culminates in his unexpected rise as a celebrated artist, championed by figures like Arnold Schwarzenegger, and his current work giving back to his community and advocating for systemic change.
Art Williams Jr.'s story highlights extreme resilience and adaptability in the face of profound adversity, demonstrating how skills developed in illicit activities can be repurposed for legitimate success. His detailed account of counterfeiting methods offers a rare glimpse into the sophistication of financial crime, while his reflections on poverty, systemic issues, and the impact of technology (like AI and digital currency) provide critical perspectives on contemporary societal challenges. His journey underscores the importance of mentorship, purpose, and community in breaking cycles of poverty and crime.

Takeaways

  • Art Williams Jr. grew up in extreme poverty in Southside Chicago, experiencing gang violence and his mother's severe mental illness.
  • He was introduced to counterfeiting at 15 by an older printer, becoming an apprentice and learning the offset printing process.
  • Williams pioneered the counterfeiting of the 1996 $100 bill by replicating all security features, including watermarks, security strips, and color-shifting ink.
  • His method involved layering different paper types, custom-mixing inks for precise color matching, and using inkjet printers for serial numbers and seals.
  • Williams used superglue on his fingertips to destroy fingerprints, a tactic to avoid identification by authorities.
  • He estimated printing between $10-15 million in fake currency over his career, burning millions that didn't meet his perfectionist standards.
  • After multiple arrests and prison sentences, Williams found purpose and legitimacy as an artist, with his work gaining recognition and selling for significant amounts.
  • A pivotal moment in his art career was a show at Arnold Schwarzenegger's house, which led to significant sales and further opportunities.
  • Williams expresses strong opinions on societal issues, including government corruption, the dangers of digital currency, and the impact of generational poverty.
  • He believes education, mentorship, and community engagement are crucial for breaking cycles of poverty, rather than universal basic income or top-down government programs.

Insights

1Breaking the 1996 $100 Bill's Security

Art Williams Jr. was the first to successfully counterfeit the 1996 $100 bill, which introduced new security features like a watermark, security thread, and color-shifting ink. He achieved this by combining traditional offset printing for the base colors and intricate details with inkjet printing for variable elements like serial numbers and seals. His process involved layering thin, custom-sourced paper to embed watermarks and strips, and meticulously mixing his own inks to match the subtle 'light cream' background tint that inkjet printers couldn't replicate.

He was known to be the first to break the 1996 $100 note, replicating all security features like the watermark, strip, and color-shifting ink. He used an offset press for base colors and inkjet for serial numbers and seals, custom-mixing inks to match the money's unique background tint. He also layered thin paper to embed security features.

2Meticulous Counterfeiting Process and Materials

Williams' counterfeiting was a highly detailed, multi-step process. He started with imaging (Photoshop or camera negatives burned onto metal plates), then used a one-color offset press, running paper through multiple times for different elements (border, face, numbers, seals). He custom-mixed inks, weighing them precisely like drugs, and kept a 'recipe book' for consistency. The most challenging aspect was finding paper that mimicked genuine currency's pH and thinness. He discovered directory paper (like from Yellow Pages) and developed a method of layering two thin sheets with printed watermarks and strips in between, then pressing and spraying them with a special chemical to achieve the authentic 'money feel' and crackle.

He describes using an AB Dick 360 one-color offset press, running paper multiple times for different elements (border, face, numbers, seals). He mixed his own inks, weighing them precisely, and kept a 'recipe book' (). The paper discovery was accidental, finding directory paper (). He layered two thin sheets with printed watermarks and strips, then pressed and sprayed them with a chemical to give them the authentic feel (, , ).

3Transition from Counterfeiting to Art

After multiple prison stints and a desire for legitimate purpose, Williams found his calling in art. His unique life story, initially optioned for a movie and featured in a Rolling Stone article, attracted attention. A key turning point was a show at Arnold Schwarzenegger's house, where his art sold for $75,000. This success, combined with mentorship and a personal commitment to change, allowed him to open his own galleries and establish a career as a self-taught artist, often incorporating themes of money and his past into his work.

He found his art career through donating paintings to charities (), leading to a show at Arnold Schwarzenegger's house where he sold $75,000 worth of art (, ). He then opened his own galleries in Chicago and other cities ().

4Critique of Societal Systems and Digital Currency

Williams expresses deep skepticism about government and modern societal structures. He views the move towards digital currency and limits on cash payments (as seen in Europe) as a dangerous step towards a 'digital police state' that will increase control over citizens and eliminate avenues for revolution. He criticizes government corruption, citing the alleged '38 trillion' stolen from the American people, and argues that current systems perpetuate generational poverty rather than solving it.

He criticizes Europe's cash limits () as a move towards a 'digital police state' () and expresses fear of AI and robotics being controlled by an elite (). He states that '38 trillion' has been robbed from the American people by politicians (, ).

Bottom Line

Williams used superglue on his fingertips to destroy his fingerprints, a method he discovered to prevent authorities from identifying him through prints on fake currency.

So What?

This highlights the extreme lengths and unconventional tactics employed by sophisticated criminals to evade detection, suggesting that security measures often lead to more inventive countermeasures.

Impact

Develop advanced forensic techniques that can detect and reconstruct fingerprints even after chemical alteration, or explore alternative biometric identification methods that are less susceptible to such tampering.

He used gas station attendants of Arab descent as an informal 'testing ground' for the tactile quality of his fake money, believing they had a superior sense of touch for detecting counterfeits.

So What?

This reveals a nuanced understanding of human sensory perception in security and the informal, often culturally specific, methods used to assess authenticity, which could be overlooked by formal security protocols.

Impact

Integrate diverse human sensory testing into the design and evaluation of new security features for currency or other high-value items, leveraging varied expertise beyond standard machine detection.

Williams felt a 'matrixy' or 'scripted' quality to his life events, particularly the timing of his father's death on his release day and his evasion of Secret Service due to an instinctual flight change.

So What?

This perspective suggests a deep, almost philosophical, reflection on fate, coincidence, and intuition in high-stakes situations, implying that sometimes, seemingly random choices have profound protective outcomes.

Impact

Explore the role of intuition and subconscious pattern recognition in decision-making under pressure, potentially developing training programs that enhance these 'gut feelings' for security personnel or high-risk operators.

Key Concepts

The World as a Testing Ground

Williams used real-world scenarios, like passing fake bills at gas stations run by people known for their tactile sense of money, to continuously refine and improve his counterfeiting techniques. This iterative, practical testing approach allowed him to perfect his craft beyond theoretical knowledge.

Energy Transfer

Williams views money as an energy or tool, believing that the amount of personal energy and effort invested into its creation (even counterfeiting) imbues it with a 'life' that contributes to its effectiveness and success. This philosophical approach guided his meticulous and perfectionist methods.

Unconventional Thinking for Evasion

Williams consistently employed unconventional strategies to evade authorities, such as changing flight destinations at the last minute or burying money in PVC pipes to avoid metal detectors. This 'unconventional all the time' mindset became an instinctual defense mechanism against surveillance and capture.

Lessons

  • Cultivate a 'perfectionist' mindset in your craft, meticulously refining every detail, as Williams did with his counterfeiting, to achieve unparalleled quality and effectiveness.
  • Embrace continuous learning and experimentation, even through 'accidents,' as new discoveries (like his paper source) often arise from persistent testing and an open mind.
  • Seek out and value mentorship, as Williams eventually did, recognizing that guidance from experienced individuals can provide crucial support and direction, especially when navigating complex life changes.
  • Leverage your unique personal story and experiences, even those from a challenging past, as a powerful narrative that can open doors and create opportunities in unexpected fields, as Williams did with his art career.

Notable Moments

Williams' mother, suffering from severe mental illness, drove to New York to 'meet Jesus' when he was 10, and he witnessed her run naked from their home screaming 'God's coming back' at age 11.

These early traumatic experiences highlight the profound instability and hardship of his childhood, setting a backdrop for his later choices and resilience.

While in jail at 21, Williams was ordered to receive six 'matches' (a severe gang beating that could be fatal) for refusing to attend gang meetings disguised as church services, but was ultimately given only one match due to his standing with other inmates.

This event marked his decision to quit gang life, demonstrating a moral compass and a turning point away from direct gang involvement, despite the extreme personal risk.

After 22 years, Williams reconnected with his estranged father in Alaska, only to confront him about his abandonment and the suffering of his siblings, leading to a physical altercation.

This reunion was a deeply emotional and cathartic moment, revealing the lasting pain of his father's absence and providing some understanding of his own mechanical and 'nuts' tendencies through his father's hidden grow operation.

Williams' father died of a heart attack in prison on the very day Williams was released from his own sentence, leaving him without closure.

This 'matrixy' coincidence profoundly impacted Williams, reinforcing his philosophical view of life's scripted nature and the lack of closure in his relationship with his father.

Williams' first public speaking engagement was before 2,000 FBI and Secret Service agents at a Homeland Security event, where his microphone was accidentally on while he was having a panic attack in the bathroom.

This terrifying yet ultimately successful experience was a pivotal moment, breaking his fear of public speaking and inspiring him to pursue a legitimate path, realizing the power of his story.

A book deal for his life story, valued at $1.4 million, was dropped by a major publisher because Williams insisted on disclosing his impending prison sentence, despite his agent's objections.

This demonstrates his strong moral code and refusal to 'cheat' even in a legitimate business deal, highlighting his integrity despite his criminal past.

Quotes

"

"I was known to be the first to break the 1996 $100 note."

Art Williams Jr.
"

"If you have little things can screw up a big thing. If you have a bunch of little things that aren't right, then the big picture looks like shit."

Art Williams Jr.
"

"I tell people there was a time where I felt freer than probably any man could ever, right? I wasn't attached to a bank. I wasn't attached to to anything, but I had everything."

Art Williams Jr.
"

"The biggest problem I think that that people deal with in poverty is even if you're working, you're not making enough to live."

Art Williams Jr.
"

"The tree of liberty must be refreshed from time to time with the blood of the patriots and tyrants."

Thomas Jefferson (quoted by Danny Jones)
"

"Strong men create good times. Good times create weak men. Weak men create bad times. And then bad times create strong men."

Art Williams Jr.

Q&A

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