Kristen Stewart Reveals the "Douchiest" Thing About Her, Reminisces on Seth's Lesbian Makeover
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Quick Read
Summary
Takeaways
- ❖Kristen Stewart and Seth Meyers appeared on the show after a day-drinking session, both experiencing hangovers.
- ❖Stewart selects roles based on her ability to genuinely embody the character and her desire to collaborate with the filmmaker.
- ❖She described owning cars as the 'douchiest thing' about her, but justifies it as preserving 'pieces of history.'
- ❖Ed Harris's 'skullet' in 'Love Lies Bleeding' was his own idea, surprising Stewart on set.
- ❖Stewart's directorial debut, 'The Chronology of Water,' is a non-linear, image-driven film focused on excavating identity and voice.
- ❖She prefers directing films that are 'bizarre' and 'genuinely internal,' rather than easily describable narratives.
- ❖Stewart gave Seth Meyers a 'lesbian makeover,' selecting accessories and clothing to transform his look.
Insights
1Discerning Approach to Acting Roles
Kristen Stewart emphasizes a highly selective process for choosing acting roles. She ensures she is the 'right choice' for a part, prioritizing her ability to authentically play the character and her genuine desire to collaborate with the director. This prevents her from being an 'irresponsible loser' who takes on projects without full commitment.
Stewart states, 'I don't want to be an irresponsible loser and tell a great director that, you know, yeah, I'll come hang out if I don't want to hang out.' She also mentioned feeling a 'relief' when reading the script for 'Love Lies Bleeding' because she knew she 'can accomplish job' for Rose Glass.
2The 'Douchiest' Thing: Car Collecting
Kristen Stewart humorously identifies her car collection as the 'douchiest thing' about her. She attempts to reframe this hobby as 'preserving pieces of history,' drawing a parallel to a 'museum curator' or Jay Leno, though she admits her family's influence on this interest.
Stewart says, 'Yeah, I'm like an LA guy. I like cars. It's the douchiest thing about me.' She then adds, 'Well, they're -- they're pieces of history that I'm preserving.'
3Directorial Philosophy: Embracing Non-Linearity and Internal Experience
Stewart's directorial debut, 'The Chronology of Water,' reflects her philosophy of filmmaking. She was drawn to the book's 'choose your own adventure' nature and its ability to evoke 'striking, image-filled experiences.' She aims to create movies that are 'bizarre,' 'super transient,' and 'nonlinear' to genuinely capture the internal experience of being a person, rather than serving a predictable narrative.
Stewart explains, 'It's an amalgamation of experiences that I think maybe every individual would choose different ones to latch onto.' She adds, 'It's also really like not an obvious one because it's just all over the place and super transient and nonlinear, and therefore it feels like being an actual person.'
Lessons
- Embrace authenticity in professional and personal interactions; candidness can foster genuine connection and relatability.
- Prioritize projects where your skills align with the vision and your passion is strong, rather than taking on work out of obligation.
- Challenge conventional approaches in creative fields; non-linear or 'bizarre' storytelling can offer a more profound and unique audience experience.
Notable Moments
Kristen Stewart and Seth Meyers discuss their hangovers from day drinking the previous day, setting a candid tone for the interview.
This immediate, relatable opening establishes a relaxed and humorous atmosphere, allowing for more genuine interactions throughout the show.
Stewart reveals Ed Harris's decision to sport a 'skullet' for his role as her father in 'Love Lies Bleeding,' and her initial reaction.
This anecdote highlights the creative choices actors make and the surprising elements that can emerge during film production, adding a humorous and specific detail about the movie.
Seth Meyers undergoes a 'lesbian makeover' by Kristen Stewart, who selects clothing and accessories for him.
This segment is a playful and memorable highlight, leaning into Stewart's public persona and demonstrating her willingness to engage in lighthearted, self-aware humor.
Stewart directs Seth Meyers in a series of dramatic readings of absurd lines, showcasing her acting prowess and his comedic timing.
This moment demonstrates Stewart's talent for dramatic performance even with ridiculous material, and her ability to engage in improvisational comedy.
Quotes
"I don't want to be an irresponsible loser and tell a great director that, you know, yeah, I'll come hang out if I don't want to hang out."
"This book is just like screaming at you to be somebody embodied and fulfilled and loud and, you know, yeah, alive."
Q&A
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